Swiss style

The Swiss style, also known as the International style, originated in Switzerland in the 1940s and 1950s. The style favors simplicity, legibility and objectivity largely through the use of sans serif typefaces, grid structure and asymmetrical layouts. The Swiss style is concerned with ease of communication, stressing the combination of typography and photography as visual communication. Colour is used to emphasize and assist communication.

This book cover demonstrates the Swiss style through the use of the sans serif typeface, There is minimal use of colour to emphaize the title and year. The grid system is turned on it's side in this design, which creates a more visually interesting look. The list of smaller type on the left hand side creates an asymmetrical design.

This book cover uses the minimalism of the Swiss style to create emphasis. The layout grid is also employed in this design to hold the more complex elements ordered together.

SOURCES:

DESIGN IS HISTORY, SWISS DESIGN, http://www.designishistory.com/home/swiss/

SMASHING MAGAZINE, LESSONS FROM SWISS GRAPHIC DESIGN, http://www.smashingmagazine.com/2009/07/17/lessons-from-swiss-style-graphic-design/

IMAGES:

http://www.smashingmagazine.com/2009/07/17/lessons-from-swiss-style-graphic-design/

De Stijl

The De Stijl movement was founded by two abstract artists in 1917. De Stijl means The Style in Dutch. The movement favored simplicity and abstraction communicating harmony and order. This was established through elements being reduced to more simple geometric forms and primary colours. This movement had a great influence on the development of abstract art, furniture design, modern architecture and design.

The design of this book cover uses the simplicity and abstraction of the De Stijl movement. Simplicity is created in this design through the use of only simple geometric shapes and only black print. The positioning of the typography across the page and overlapping the shapes brings in an element of abstraction.

SOURCES:

TATE MUSEUM, DE STIJL, http://www.tate.org.uk/learn/online-resources/glossary/d/de-stijl

DESIGN IS HISTORY, DE STIJL, http://www.designishistory.com/1920/de-stijl/

IMAGES:

https://s-media-cache-ak0.pinimg.com/236x/dc/b6/eb/dcb6eb90cd5d9fcb8afb450f5a1f7698.jpg

Bauhaus - the Face of the Twentieth Century

1. Avant-garde ideas. Like nothing else at the time

2. Has effected everything from the design of cities to things in our homes

3. Born out of catastrophe as the old world ended

4. Revolution in art education - workshop based training, bringing about a greater link between artist and machine. Learning by actually making things, not just through theory

5. Bringing architecture and art together

6. Invention of the modern art student

7. An early expression of ideas of household management

8. Typography - bright, bold, simple, sans serif

9. Photography as a means of communication

10. 14 years of Bauhaus



Information from documentary 'Bauhaus - the Face of the Twentieth Century'

IMAGE:
http://www.greatbuildings.com/gbc/images/cid_1250959206_bauhaus_P8062363.jpg

Bauhaus

The Bauhaus took avant-garde ideas as the focal point of the movement, it was like nothing else being created at the time. The Bauhaus art school was open in various forms from 1919-1933. This art movement has effected the design of everything in modern life from the design of cities and buildings to the everyday furniture and utensils we use in out homes. The Bauhaus was born out of catastrophe as the 'old world' ended. It was a utopian dream, the spirit of the time immortalised in the art movement and teachings of the Bauhaus school.

Not only did the Bauhaus signify a revolution in the style of art and design, but also in art education. Making use of workshop based training a creating a greater link between machine and artist. Skills were learnt in the Bauhaus through practice, not purely through theory. This is a model of art education that is still widely used today.

This book cover features one of the furniture pieces built in the Bauhaus. This is a child's cot, which features the simple clean lines of geometric shapes and primary colours. This is paired with a simple sans serif typeface that has been stylised in the title, with the ascenders of the 'b' and 'h' extended off the page.

SOURCES:
DVD, BAUHAUS -THE FACE OF THE TWENTIETH CENTURY

THE METROPOLITAN MUSEUM OF ART, THE BAUHAUS, http://www.metmuseum.org/toah/hd/bauh/hd_bauh.htm

IMAGES:

http://www.essential-architecture.com/STYLE/STY-M04.htm

Russian Constructivism

Constructivism was developed by artists in Russia in early 1921. It achieved international recognition in the 1920s. This movement is concerned with extending the language of abstract art into practical design. Constructivist art is committed to design that is completely abstract and modern, geometric and experimental, precise and impersonal.

This book cover is an example of the constructionist use of geometric shapes and patterns. This design is also very modern and minimal in the use of colour, text and variation of line.

Somewhat dissimilar to the previous example, the design of this book cover encapsulates the abstract constructivist style through the use of a range of colours and shapes. This is a 2014 redesign of the cover of George Orwell's Animal Farm in the style of Russian constructivism.

SOURCES:
MOMA, CONSTRUCTIVISM, http://www.moma.org/collection/theme.php?theme_id=10955
ART MOVEMENTS, CONSTRUCTIVISM, http://www.artmovements.co.uk/constructivism.htm

IMAGES:
https://russianculture.wordpress.com/2010/09/24/soviet-book-design/
https://www.behance.net/gallery/9897569/Graphic-Stylisation-Kinetic-Graphics-Animal-Farm

Suprematism

Suprematism is one of the earliest and most radical developments in abstract art. It was developed by Russian artist Kazimir Malevich around 1915. The very name of the movement implied the supremacy of this new art form in relation to the past. Malevich envisioned his art movemement as purely aesthetic, disassociated from political or social meaning; it sought a new freedom of expression in total abstraction.

Suprematism is focused on purity of shape and was concerned with using the elementary geometric forms. Malevich was interested in identifying the essential elements of art. The movement uses simple forms of shape and colour to create abstract art forms.

This is an excellent example of suprematism in book cover design. It uses the simple shape of the square in the black outline and the smaller red square sharply contrasted to the bold black number 2 and the small diagonal lettering. The white, black and red colour scheme are indicative of the colours used by Malevich in his early supremative works.

SOURCES:
MOMA, SUPREMATISM, https://www.moma.org/collection/details.php?theme_id=10202
ART ENCYCLOPEDIA, SUPREMATISM, http://www.visual-arts-cork.com/history-of-art/suprematism.htm

IMAGE:
http://www.wikiart.org/en/el-lissitzky/book-cover-for-suprematic-tale-about-two-squares-1920

Futurism

Following on from cubism is futurism, which is similarly distorting, but aims to reproduce speed and movement where cubism is concerned with static shapes. Futurism was developed in Italy in 1909- late 1920s. Futurism looks at the form in and of movement. In futurism layout, onomatopoeic devices were often reproduced visually in typography and layout.

These futurist style book covers convey movement through the placement of text and the size of the typeface used. They make use of onomatopoeic devices to visually convey the meaning of the text.

SOURCES
THE ART STORY, FUTURISM, http://www.theartstory.org/movement-futurism.htm
FUTURISM PRESENTATION, Design History 2015: Tafe Moodle

IMAGES:
http://jess-nguyen.blogspot.com.au/2014_10_01_archive.html
http://flickrhivemind.net/Tags/bookcover,futurism/Interesting

Cubism

The cubist art movement consumed Paris from 1907-1914. The movement was largely influenced by the changes in time and space occurring at the beginning of the 20th century. Life in Paris was fast, the train and automobile replaced the horse and carriage. The shear size of the new Eiffel Tower marked a change in space, being visible from all corners of Paris. These changes influenced the cubist movement to reject the traditional ideas of perspective.

The cubist style is about simplifying and abstracting forms. This was done in a variety of ways including the use of multiple or contrasting viewpoints in one image, simplifying forms into shapes and distorting these forms and shapes.

This is an example of a cubist book cover design. This example shows extreme simplification of the human face into simple shapes and colours.

SOURCES
THE METROPOLITAN MUSEUM OF ART, CUBISM, http://www.metmuseum.org/toah/hd/cube/hd_cube.htm
CUBISM PRESENTATION, Design History 2015: Tafe Moodle

IMAGE: http://www.bratri-capkove.cz/VismoOnline_ActionScripts/Image.ashx?id_org=200104&id_obrazky=1822&datum=1.9.2011+10:08:37